Showing Christ’s Face to the World

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Mother of God, Protectress of the Oppressed.  Iconography by Kelly Latimore.

On many fronts, I am troubled today by the appointment of Paula White as head of the White House’s Faith and Opportunity Initiative, a successor to previous administrations’ faith-based office that coordinates outreach to religious communities. The news reports point out that she is neither seminary trained nor qualified to hold this position, and yet the president identifies her as his “pastor.” I cannot help but wonder: When did it become acceptable to evangelicals to tolerate a woman as their president’s pastor?

It appears that Donald Trump has employed a Pentecostal televangelist from Florida, an outsider whose populist brand of Christianity mirrors his own conquest of the Republican Party.  She is in many ways a quintessentially Trump figure: a television preacher, married three times, lives in a mansion.

And like her president, Ms. White has survived accusations of financial misconduct and ethical improprieties. Among Christians, she is a divisive figure because of her association with the belief that God wants followers to have wealth  — commonly called the prosperity gospel. This theological perspective is highly unorthodox, and is also considered heretical by many Christians.

The Rev. William J. Barber II, who organized the Moral Mondays protests in North Carolina and who spoke at the Democratic National Convention in 2016, calls White’s appointment “a very ominous sign” and signals that “Christian narcissism” has come into the White House. He said this:

The so-called prosperity gospel is a false gospel that can be compared to the theology that justified slavery because of economic prosperity. It is an attempt to interpret the gospel to be primarily about personal wealth and personal power, which is contrary to the theology of Jesus where the good news was always focused on caring for the poor, the least of these, the stranger, the sick.

I just spent five paragraphs trying to show Paula White’s face to the world when what is infinitely more needful is showing Christ’s face to the world. With that in mind, I feel compelled to switch focus to the theology of Jesus that insists upon caring for the oppressed.

Some of you may know that I am an iconographer and one who is very interested in the theology of icons and their call to holy introspection. An iconographer colleague of mine gave me this wise counsel:

Look at the eyes first and see the light that shines through them. Stand reverently and quietly before the icon until the image speaks to you.

Icons hold a spiritual effect, a history and a message. So in thinking about caring for the oppressed, I turn to two icons depicting the Mother of God and her Son. 

The first, an icon by Kelly Latimore, is Mother of God, Protectress of the Oppressed. Russian Christians for centuries have called Mary the Protectress of the Oppressed. While some icons embrace traditional forms, this one has been re-imagined. It reflects current political morés related to the treatment of refugees and migrants at our southern border. Christ has assured us that He will always be found among the poor and oppressed. In that light, this depiction of Mary is a refugee mother and child behind the fence our government has erected to separate them from “God-fearing Americans.”

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Mother of the Streets.   Iconography by Br. Robert Lentz, OFM

The second icon, written by Brother Robert Lentz, OFM, is Mother of the Streets. Each year, larger numbers of homeless people live in the streets of our cities — jobless workers, battered women, the untreated mentally ill, or simply those too poor to get by. They tend to be “invisible” to us. This icon depicts the Mother of God as the mother of those on the streets. Her garments, and those of her Son, are covered with jewels and gold decoration, making manifest the hidden worth and dignity of street people, who are living icons of God. In 1984 the Catholic bishops of the U.S. declared, “To turn aside from those on the margins of society, the needy and the powerless, is to turn aside from Jesus. Such people show His face to the world.”

It matters whose face we show to the world. It matters whose face we see. We can choose to “see” the Donald Trumps and Paula Whites of the world, or we can turn our eyes on Jesus. It matters whose face we “see!” And it really matters whether or not we will be found in the city streets, on the border and at the fences, at the margins of society where so much oppression holds sway. It really matters whether or not our every day, holy acts of compassion show Christ’s face to the world.

May God create in us compassionate hearts. Amen.

 

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On another note, please pray for me as I look toward my kidney transplant currently scheduled for November 12th at Mayo Clinic in Jacksonville, Florida. I am so grateful that you are walking with me on this journey that often felt so frightening. Your thoughts and prayers mean so much. If you would like to read the story of my illness, please visit the Georgia Transplant Foundation’s website at this link:

://client.gatransplant.org/goto/KathyMFindley

“Go Fund Me” page is set up for contributions to help with the enormous costs related to the transplant, including medications, housing costs for the month we have to stay near the transplant center, and other unforeseeable costs for my care following the transplant. If you can, please be a part of my transplant journey by making a contribution at this link

https://bit.ly/33KXZOj

Seeing the Light: A Spiritual Discipline

DF9BF7FC-6583-4F1A-A78F-3F5CD0D37117I seldom talk much about the spiritual disciplines that have given me strength. A private retreat — just me and God — in a beautifully isolated hermitage was one of the most powerful spiritual experiences of my life. While there, I also practiced another of my spiritual disciplines — iconography.

Iconography is not merely a visual art, it is Christian sacred art, and has been an integral part of the worship and mystical life of Christians since apostolic times. Referred to in the Eastern Christian tradition as “windows into heaven,” icons have inspired and uplifted millions of the faithful, and have at times been the instruments for demonstrating God’s miraculous intercession in the life of humankind.

29074C09-C2E4-49B3-ACA8-FAED6A6069B8In describing the purpose of icons, the early Christians used the Greek work anagogic, literally meaning “leading one upward.” Photios Kontoglou, a renowned modern iconographer, expressed this perfectly: “Icons raise the soul and mind of the believer who sees the icon to the realm of the spirit, of the incorruptible, of the kingdom of God, as far as this can be achieved with material means.” 

So to appreciate iconography fully, we must approach it as a liturgical art form whose function is essentially spiritual. Since the creation of an icon is itself a sacred activity, the iconographer must be a person of prayer, not merely a technician. If the iconographer’s work is to inspire and illumine others, then it is essential that she leads a life of prayer and fasting that she may be inspired and illumined by the Holy Spirit, that her iconography becomes itself an expression of her spiritual life. Kontoglou writes: “The iconographers painted as they prayed.”

355CF8CB-A1B6-4D08-B5DD-DF59A9618C9AMy love of iconography resulted from the prompting of my dear Aunt Eirene. She was an artist extraordinaire and a gifted iconographer. She studied and practiced to hone her skills and each year, she went to an intensive iconography workshop at a beautiful retreat center. One year, she persuaded me (forced is a more accurate term) to go with her. Of course, I was extremely reticent to try this new art form.

At first, I called on my artistic skills and was doing a barely decent job. But then a lovely nun who sat next to me said words that literally imprinted on my heart. She said, “Your rendering of the Holy Child is beautiful. Look into his eyes. When you see the Light coming from them, you will fall in love with your icon.”

286998AD-4ACD-4E54-BBD6-EDCC0B0D4ED0She was so wise. I began to think more about the Christ Child’s eyes than my own art, and within a day, my iconography transformed from a painting to a prayer. It was worship, meditation and reverence. It touched my soul as I added color to the board, layer upon layer. It was an incredible experience to see the Light. I share with you here some of icons I created, as I remember the experience I had with each of them that opened my soul to the Light.